Çokseslilikten "Çifteyazarlığa": Benden’iz James Joyce Adlı Eserde Çevirikurgusal Sesler
DOI:
https://doi.org/10.5281/zenodo.13944050Anahtar Kelimeler:
Çevirikurgu, çokseslilik, çevirmen sesi, çevirmen mikro-tarihi, Benden’iz James JoyceÖzet
Bu çalışma, Fuat Sevimay tarafından yazılan ve Joyce’un yapıtlarına yanmetinsel bir bakış açısı getiren Benden’iz James Joyce adlı eserde kurgulanan çevirmen ve okurun rolünü araştırmayı amaçlamaktadır. Bakhtin’in çokseslilik kavramından yola çıkan çalışma, romandaki çoksesli söylem sayesinde kurgulanan çevirmen ve okurun, Joyce’un yazınsal sesi ile eşit derecede önem taşıyan bir görünürlüğe sahip olduğunu vurgulamaktadır. Çalışma, ayrıca, romanda kullanılan “çifteyazar” kavramının çeviribilim alanında önemli etik çıkarımlara ışık tutabileceğini belirtmektedir. Roland Barthes’ın “yazarın ölümü” anlayışından yararlanan çalışmada, Sevimay’ın odak noktasını oluşturan “Tanrı-Okur” kavramının çevirmenin eyleyici rolüne ışık tutabileceği vurgulanmaktadır. Çalışma, çevirikurgu eserlerin çevirmenlere yanmetinsel ve metindışı görünürlüklerini sergileyebilecekleri verimli bir zemin hazırladığını ve çevirmenlerin eyleyici rolünü ön plana çıkardığını belirtmektedir. Sonuç olarak, çalışma, çevirmenler tarafından oluşturulan çevirikurgu anlatıların, mikro-tarihsel çevirmen araştırmalarının ayrılmaz bir parçasını oluşturan çevirmen arşivlerine dâhil edilebileceğini ortaya koymaktadır.
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